
Ken Ogata plays Shiro Miyagi, a sprinter with Olympic aspirations whose dreams were shattered by WWII. A broken man, he leads the dissolute life of a gigolo until a chance meeting with a fiery young athlete named Hiroko (Michiyo Yasuda). Realizing that she has talent as a sprinter, Miyagi sees a second chance at Olympic glory in becoming her coach. Following Miyagi’s unconventional, military-style training, Hiroko sets a record for the 100-meter dash, but her greatest hurdle proves to be a “sex check” which all professional athletes must pass.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.