"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

A cinematic journey into the world of Yona Wallach, an Israeli poet, whose radical life and poetry ended with her death at an early age, leaving behind a myth and a trail of admirers. More than 25 years after her death, seven recorded tapes from her last interview, which were made with Helit Yeshurun, are discovered. In these tapes, Wallach confesses to her attraction to madness, her experiments with drugs, her relationship with god and about the dangers of writing. The film weaves her testimony with interviews, with rare archival footage, with her poems and with animation that revives Wallach's thoughts, images and visions.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.