“Supergirl” Is Like, Fine, Whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

In this affectionate, leisurely paced comedy, an Odesa policeman is out walking his beat when he discovers an adorable infant abandoned in a cabbage patch. He does his duty and takes the baby to an orphanage, but later he and his wife, who have an unusually affectionate and cozy relationship, decide to try and adopt the little one. What they must go through to accomplish that goal is anything but straightforward.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.