
Filmed in 1962 in Milan, on the Idroscalo: a sometimes affectionate gaze, other biting on a varied and popular humanity, distinct and joyful, that of the Italian economic boom.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.