"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Legendary all-stars of cinema bring to life the evolution of science-fiction and special effects films from the wild and funny days of B-movies to blockbusters that have captured the world's imagination. This is the story of the Sci-Fi Boys, who started out as kids making amateur movies inspired by Forrest J Ackerman's FAMOUS MONSTERS magazine and grew up to take Hollywood by storm, inventing the art and technology for filming anything the mind can dream.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.