'Indiana Jones and the Dial of Destiny' (2023)
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

Imagine being a young, upwardly mobile executive successfully making your way in the world. You’ve got a great job, some good friends and have been tasked by the boss to close a do-or-die deal. Now, imagine that closing the deal takes you to a country where you don’t speak the language, you don’t understand the culture and, if the deal falls through, it will cost you your career. Well, that’s exactly the situation Henry faces. Henry has never known family or loyalty. Now, he has to convince the Matai of a village that these are exactly the characteristics he and his company embody. Further, his growing attraction for Tua, the Matai’s daughter, is making him question if his career is really what’s most important to him. If he can’t balance all these competing interests, Henry may lose it all: his job, his career and, most importantly, his one true chance at love and acceptance.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.