The Rover (2014)
Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.
Rating:R
Genre:Crime, Drama
Written By:David Michôd
In Theaters:7/18/2014
Box Office:$2,510,007
Runtime:103 minutes
Studio:Porchlight Films, Screen Australia, Screen NSW, Blue-Tongue Films, Lava Bear Films, South Australian Film Corporation
Articles You May Like
Sorry, Baby (2025) for Being Born a Woman
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
21 Bridges Review: An Average Film with a Powerhouse Lead
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Fear Street: Part One - 1994
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
"The Naked Gun" (2025) Film Review-YES!! The comedy we actually NEEDED has arrived!
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.