'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

The Rook made in 1974 is the establishment of sadeghi’s style in reference to Persian painting and miniature. The chess board act as witness to a game in progress. The players move their pieces until two kings remain and the game back to continue from the beginning which represent ongoing metaphor of political power games. The humorous piece of animation looks at the absurdity of war, politics and stance of society in between these notions.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
A masterful portrayal of a long-forgotten story that needs to be told.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.