“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

By the year 2186 humans have spread across the Solar System, colonizing the distant moons of Jupiter. Alyson Spenser is an astrophysicist, caught between her deep attachment to the beauty and magic of her work, and the voices—internal as well as external—that tell her to focus on what is practical, on the here and now. Alyson does her best to toe this party line, but she finds it a struggle. And then, something wondrous happens. She discovers a strange meteorite, and when she reaches down and touches it, she is instantaneously transported onto a spaceship in orbit high over Earth. The captain of the vessel is a streetwise smuggler from Jupiter named Anora Dane. Alyson finds her strange and frightening, yet she also glows with a vibrancy of spirit Alyson had nearly forgotten was possible. Faced with a reality she only ever half allowed herself to dream of, Alyson must choose where she belongs, following Anora to Ganymede, or returning to Earth.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The new Scooby Doo movie that will give viewers the frightening adventure of their lives.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like