Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Stowing away after a failed con, a pair of swindlers end up on El Dorado, the fabled "city of gold", where they quickly get in over their heads when they are mistaken as gods by the inhabitants.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.