Lady and the Tramp: A Charming Remake
A wholesome love story that's perfect for fans of romance movies and animal lovers.

Freed from the shackles of communism in the 1990s, Russia seemed to be entering an era of rebirth. But as is often the case in that country, history unfolded harshly. For the majority of Russians, the transition to a market system was painful and chaotic - and anything but democratic. Amid the confusion, a few shrewd and ruthless businessmen exploited the loopholes in the Soviet economy to make fast money, staving off a return to communist rule. Nicknamed the oligarchs, these men, all billionaires, manoeuvred their way into Russia's political inner circle during glasnost, are credited with Boris Yeltsin's re-election in 1996, and suspected of anointing Vladimir Putin in 1999. They're powerful men with powerful enemies, and they continue to shape Russian society. Dizzying in its detail, The Rise and Fall of the Russian Oligarchs puts modern-day Russia into perspective.
A wholesome love story that's perfect for fans of romance movies and animal lovers.
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
A direct fall into the white savior narrative