"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Inako Natsui is a quiet, modern girl working in a laboratory and living a closed and somewhat monotonous life in a small town. From time to time she goes to nearby to visit her lonely mother Wakayama who has been a widow for the past seventeen years. The girl's relatives, particularly Aunt Sadako and Uncle Shuhei, the local mayor's deputy, plan to introduce her to a suitable young man, but Inako has no real desire to get married. She is more interested in the hot mineral springs from where she takes her laboratory specimens. This all changes when she meets Mr Tamamiza, a young divorced man who's been left with a little boy. Her relatives are decidedly against the match. The girl falls in love with the man without realizing that she will encounter a painful conflict between her family and providence, as unexpectedly as the spring which gushes out from the geological fold, driven to the surface by mysterious subterranean forces.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!