Through the rise of Silvio Berlusconi, this film investigates how private television transformed the public's relationship to information, power and democracy.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
