Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

Second half of the violent tale of revenge from actor Sho Aikawa and director Kiyoshi Kurosawa! It's been five years since he left the force, lost his wife, and waged all out revenge, and now our hero is idling his time with a failing yakuza group. When he discovers the secret of one of his superiors, he takes up the gun of vengeance and realizes that his life has only been to serve that purpose.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.