Frozen II: The most disappointing original Disney animated movie since Chicken Little.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.

Sheridan O'Connor and Riccardo Rossi were destined to meet on the set of their first big movie together when barely out of their teens. What they didn't know was that their on-screen chemistry would translate into a hot and heavy off-screen romance destined only for disaster. Now, living continents apart and a lifetime later, expecting their paths never to cross again, they are thrown back together to star in an updated version of their original film. The studio has high hopes that they will be able to attract the same audience who loved them the first time around. But working together again could demand greater acting skills than either ever imagined: long hours filming awkward romantic scenes, reliving the past and coming face to face with what fate has in store for them. Only slightly shaken and gently stirred by family and friends, Sheridan and Riccardo must find a way to make the perfect martini out of life so as not to waste a single drop of happiness.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
The external threat invaded the domestic environment at the most valuable moment: grieving.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Emily and Stephanie are back... just add gin and drama.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.