This is the story of Nina, a 13-year-old girl who is transported to the universe of Telurian, a mysterious and Earth-like world inhabited by various fantastic creatures. There she will join a group who must prevent the master of darkness, Lord Dark, from seizing the Red Scroll and opening dimensional portals in various worlds, bringing darkness and destruction upon them.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
