Kairee narrates the sweet and sour experiences of a ten year old girl brought to her maternal aunt Taani's house due to the loss of her parents. The girl, uprooted from a secure and loving home, struggles to cope with hostilities in her new environment. Taanimausi, living a barren existence with a brute of a husband, tries single-handedly to preserve the child's innocence and sensitivity as together they face the unpleasantness of an adult world. Taanimausi helps the girl create a world of their own... a world full of love, beauty and hope... a world full of sunshine, woods, streams, peacocks... and a world of raw mangoes.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
