'Hawkeye' Episodes 1 & 2 Review: A Slow but Promising Start
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.

This short, introduced and closed by Louis Sobol, features Richard Gordon as ‘Sherlock Holmes of the air.’ Not long after one broadcast explaining in a story how a murder was committed an actual murder is committed using the same technique. The police then call Gordon in to help solve the crime. The rest of this short with an ‘all-star cast’ (as the title card announces) includes Jack Fulton, Alice Joy and Peggy Healy. The latter 3 singers, however, do not participate in the plot of the 21 minute short, but provide musical interludes to it.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.