
Nightclub singer Joan Gordon runs away from her gangster boyfriend to become a mail-order bride to a struggling North Dakota farmer. Their relationship has a rocky start, but just as Joan realizes she's developing feelings for her husband, her old boyfriend arrives to win her back.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.