Through an unconventional narrative structure, Staff’s video cuts together a narration of Heinrich von Kleist’s play The Prince of Homburg with interviews, conversation, found footage, hand painted animation and song. In a series of fragmented ‘daytime’ sequences, a range of artists, writers and performers reflect on contemporary queer and trans identity and its proximity to desire and violence. Intercut with flashes of the sun and sky, city streets and text, subjects include Sarah Schulman, Che Gossett, Macy Rodman and Debra Soshoux. Each of these segments is punctuated by ‘night-time' diversions, narrated by writer Johanna Hedva in the dual role of both narrator and Prince.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
A direct fall into the white savior narrative
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
