Jakop has been living by Peipsi for several generations. He is not the best fisherman and doesn't have much money. One day, Jakop's nephew arrives at the yard. Jakop has a chance get a thousand rubles if he agrees to make one small trip over the lake and back. Namely, the nephew has a fugitive in the car who thinks that he is on the north coast. But Jakop refuses the offer. However, he allows his nephew and the refugee to stay with him for the night. In the morning, however, the nephew leaves and leaves the speechless fugitive to Jakop's conscience. Jakop has to make a decision - whether he takes refugees across lake Peipus? In the whirlwind of events, memories come to life in Jakop's dreams about his brother and his suicide. Jakop begins to see similarities between the lost brother and the fugitive.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
