"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Brothers Theo and Ryan lead very different lives. Theo is always in and out of drug rehabilitation while Ryan is a successful and rather conservative lawyer. Usually they do not get along and stay out of each other's way. When reunited at their father's funeral, Ryan's admission to being gay ultimately brings the two closer than they've ever been.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.