The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.

Seven friends - three women and four men - meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in - anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.