Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Edda, a parrot-woman hybrid, and former circus performer, struggles to deal with her daughter's new found embarrassment of her freakish family.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.