The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

MOODYZ super body actress Hitomi wears carefully selected costumes that shower off her body!! She's a nurse! An American waitress! An undercover investigator! She puts on a competitive swimsuit! She's a dance instructor! A female ninja! An extravagant special that shows off her various bodylines in 6 different ways!!
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.