"'The People in the House' examines the dynamics of a family in crisis and questions the role of religious devotion in the perpetuation of dysfunction. The exterior of the house is never seen, and the family's anxiety, as is often the case, plays out within the confines of four walls. Filmed with a dreamy, surreal quality, 'The People in the House' dwells within the tension between harmony and chaos." - Liz Czach, Toronto Film Festival Catalogue, Canada, 1995
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
