Involuntary Self-Isolation: Stranded On a Desert Island in “Sweetheart”
Sweetheart provides a stark example of self-isolation taken to its extreme.

Paris plumber Elmer Tuttle is enlisted by socialite Patricia Alden to help make her lover Tony Lagorce jealous. With the help of his friend Julius J. McCracken and through the high society contacts he has made through Patricia, Elmer hopes to find financing for his latest invention, a pistol with a range-finding light. Comic complications ensue when Elmer's effort to interest a military leader is misconstrued as an assassination attempt.
Sweetheart provides a stark example of self-isolation taken to its extreme.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
A working class mom searches for her daughter.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.