
Three professions ushered Black former slaves from poverty to the American dream: preacher, teacher, and undertaker. Today, renowned embalmer James Bryant puts his faith in a new generation to continue this vanishing legacy. However, his young intern, Clarence Pierre, meets him with resistance, conflicted about his commitment to carrying on embalming traditions and the judgment he feels from the Black community as a queer, Christian man. Taking place in the oldest Black funeral home in San Antonio, this poetic documentary examines the waning tradition of African American funeral homes.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
The second film takes us on Peter's journey to be understood.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.