The city is infested with mysterious parasites that bore into their human hosts to increase their host's power and sexual desires. A beautiful girl, Suzune Arizono is a vet with a specialty in parasites, and who fights daily to end the plague. Before long, she learns that an evil organization, the Kito Zaibatsu, is behind the explosive growth of this ferocious parasite. She also learns that her long-missing father, Dr. Arizono, is also involved. In order to crush the Kito Zaibatsu's ambition and to see her father again, Suzune takes on the fight without regard to the danger involved.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
