When her viral traffic-signal performance leads to a tragic accident, young dancer Neerja flees to escape the backlash—only to be confronted by Aakash, a journalist with a painful connection to the incident. As the truth of those fateful 15 seconds unravels, Neerja must face the guilt, consequences, and human cost of her actions.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Fjord, like its story, is not a conclusion, but a beginning.
This horror movie combines elements of horror and babysitting with Black representation.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
