Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

For the past 20 years, New York based, self-taught artist Bill Mayer has been creating an exuberant and startling body of work that captures the gritty street life of pre-Bloomberg New York City and reimagines classical painting genres inspired by lifelong visits to the Metropolitan Museum of Art. Mayer invites us to his studio—housed inside a 200-year old hotel in Davenport New York—for an intimate look at his art as formal practice, expressive therapy and a way to create the worlds he wants to see.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.