"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

As if eleven years in the toughest prison in a Soviet labor camp weren't enough, ex-CIA agent Alec Carville is forced to commit a crime after returning to his hometown of Boston by the Russian mafia, which has incriminating material against him. Carville is to steal a valuable painting from a bank. Clever as they are, the Russian mobsters have taken advantage of the strange coincidence that Carville bears a striking resemblance to the owner of the painting, the eccentric young millionaire Grady. However, the mafia's meticulous preparations fail in one - crucial - respect: they did not expect Grady and Carville to meet in the bank, but they do. As a result, total chaos breaks out...
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Sam Levinson's latest film can't keep up with the excellence of its performances.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."