‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

In the pink-tinged nostalgia of the mid-90s, best friends Addie and Ella's sleepover takes an unexpected turn. The alluring alien, Aurelius, crash lands in Addie's back garden and becomes the unsuspecting object of both girls' infatuation. Set to the music of David Bowie, the film is an exploration of young female friendship and male validation.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.