Pain and Glory: Great for Spain and Story…
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.

A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
An action film led by two queens, fighting for what they believe in through power and pain.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.