In the late 1990s, in a small town in the southwest, the Federation of Literary and Art Circles held a writers' pen meeting, and the participants were more than a dozen famous domestic writers. A young woman (Wang Tong) is in charge of the reception at the pen meeting. While serving the pen meeting, she unexpectedly met her long-lost college boyfriend, a man who came to this small town to do business (Wang Zhiwen). decoration). A short time in a small town, a chance encounter... Literary discussions on one side, love stories on the other.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
