
Since the beginning of time, in communities, clans, congregations, and clubs, humans have gathered to move in unison. Set in a vivid universe of color and based on Annie-B Parson's stage choreography, The Oath explores the history of vernacular and poetic unison movement. Suspended between the communal and the monstrous, an assembly of seventeen women embody our human impulse to move as one — to bond, to battle, to intimidate, to gather, to promise, to dance!
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
A legacy based on the comic strip for old and new fans of Peanuts.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
A young girl named Hailey Mays sings a country song that is named after the film's title.