Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

A man rides a bicycle on one wheel using no hands for over ten years. The Self proclaimed "No Hand King" of Raleigh, North Carolina shares his past struggles and the unflinching passion to becoming the best in the world at what he does. In the film, Rodney takes on a 50 mile stretch of the Outer Banks of North Carolina to claim the title and record holder of the longest no-handed wheelie. The film's message is potent and breaks down social borders as his story can be related to by all people of all ages and ethnicities.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content