"Sonic The Hedgehog": Gotta Go Fast
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.

Dr. Alan Foster is a respected surgeon in a remote Los Angeles town whose girlfriend, Josephine Kline, has fallen into multiple organ failure. She is placed on life support with only four days before her scheduled unplugging—just enough time for Alan to execute a desperate, terrifying plan. When the hospital informs him that Josephine’s family will arrive from Florida for the final goodbye, Alan secretly builds a sterile surgical room in his home. He begins kidnapping healthy young women, harvesting their organs in cold, calculated procedures. Storing the organs in portable freezers, he delivers them to the hospital after midnight, one by one. Alan then eliminates the entire graveyard shift hospital staff—taking advantage of the town’s small size—and begins an unauthorized, solo transplant surgery to replace Josephine’s failing organs. Despite his efforts, Josephine dies, leaving Alan alone, bloodied, and broken in the wreckage of his own obsession.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.