
Claudia Moratti, a romantic writer travels to the ends of South America looking for the house of her recently deceased boyfriend. As she enters this southern world she finds herself involved in the investigation of a local policeman that points to her boyfriend, a horror writer himself, as the responsible of seven cases of disappeared women in the area. The violent history of the town and the dark memories of the military dictatorship come to surface as the characters involved reveal their true intentions.
A teen comedy that nobody wants to see.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.