
The best-selling "The Night Is Short, Walk on Girl" novel is a story set in Kyoto about a “Senpai” who has a crush on “The Girl with Black Hair”, his junior, and depicts how he gets caught up in various incidents by trying to draw her attention. Adopting the novel for this theatre play, Makoto Ueda, representative of popular theatre company "Europe Kikaku" based mainly in Kyoto, is leading as scriptwriter and director.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.