
It’s 1968. Jacob, a student in Czechoslovakia, pays an unannounced visit to his family in Poland. The seemingly idyllic atmosphere of seeing each other after a long time is gradually disturbed by the real reason for Jacob’s visit.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.