‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

After the fall of the Soviet Union large numbers of immigrants from the East stayed in Latvia for good, Latvians simply call them “Russians”. Over 20 years of independence later mutual suspicion and bias are still there in the most part of the local community. Therefore, a Latvian director involves an independent Russian speaking Norwegian colleague in helping him understand Latvian “Russians” and coming up with an integration plan. But soon enough it becomes clear that only Latvians themselves can manage the challenge. And so begins director’s journey away from the division “us / them”.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.