At the beginning of the 20th century, in the North of the Province of Quebec. After five years spent in a boarding school, Maria Chapdelaine comes back to the family farm. Robert Gagnon, a villager and childhood friend, loves her secretly but Maria is wooed by Lorenzo Surprenant, a man who has fled his home town to escape the police. The one she is really in love with is François Paradis, a handsome trapper. The latter promises to marry her in the spring, as soon as he is back from the Far North. Robert, who is aware of how miserable Maria is, writes a letter to François , asking him to come back at once. Unfortunately, the young trapper is buried under the snow during a storm. As for Lorenzo he gets gunned down by the police. Finally understanding that Robert has sacrificed himself out of love for her, Maria accepts to become his wife.
Marc Allégret
Director
Michèle Morgan
Maria Chapdelaine
Kieron Moore
Lorenzo Suprenant
Françoise Rosay
Laura Chapdelaine
Jack Watling
Robert Gagnon
Philippe Lemaire
François Paradis
Francis de Wolff
Papa Suprenant
George Woodbridge
Samuel Chapdelaine
Fred Johnson
Le rebouteux
Michael Mulcaster
Légaré
Brian Roper
Tit-Be Chapdelaine
Catherine Bradsham
Alma-Rose Chapdelaine
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.