'While Mortals Sleep' - MiamisFF Review
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.

Roman Cudakowski, for his friends Cudak, plays in a band at weddings and city parties. During the occupation, the musician did not do well. Entrances to the premises for Germans are an opportunity to earn money. However, they cannot imagine themselves orchestras without a violinist. Cudak takes the gifted Szymon Akerman out of the ghetto to concerts, with whom he did not agree before the war. In the new reality, they both need each other: Cudak can earn money by playing with Akerman, has a chance to survive. One day, Roman decides to permanently take the violinist and his family from the ghetto and hide them, risking his life, in his home.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.