
Pioneering NYC artist, Gwyneth Leech, enters a midtown art studio only to find that her skyline view will soon be blocked by the construction of yet another high-rise hotel. But as the perspective out her window permanently shifts, so does the artist's point of view. The Monolith is directed by Angelo J. Guglielmo, Jr. (The Woman Who Wasn't There), produced and shot by Andy Bowley, EP'd by Andrea L. Smith. Rosie Walunas adeptly employed the Adobe Creative Suite to bring over 200 pieces of Leech’s beautiful artwork to life using Animation, Motion Graphics and Compositing.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.