Lighthearted but Shallow: 1Up's Take on Women in Gaming
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
The Mistress of the World, part V: Ophir, the city of the past
As Madsen and Maud explore the city of Ophir, they witness an ancient ritual performed by the residents. The two are discovered, and with strangers desecrating the city's sacred ground, Maud is to be sacrificed to the goddess Ophirs, while Madsen is taken to the Sabytes, an enslaved native tribe.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
As Madsen and Maud explore the city of Ophir, they witness an ancient ritual performed by the residents. The two are discovered, and with strangers desecrating the city's sacred ground, Maud is to be sacrificed to the goddess Ophirs, while Madsen is taken to the Sabytes, an enslaved native tribe.
Rating:
Genre:Drama, Adventure
Written By:Wilhelm Roellinghoff, Ruth Goetz, Richard Hutter, Joe May
In Theaters:
Box Office:
Runtime:85 minutes
Studio:May-Film
Cast
Articles You May Like
An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
The Glass Castle is based on Jeannette Walls's Memoir
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Gretel & Hansel Gets Lost in Its Beautiful Woods
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
What to Watch After “Tiger King”- Recommendations
In the Long Run, the Answer To COVID Hangover.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.