A lonely boy did not want to live until he meets a girl who pretends to be a star performer. An arrogant lawyer gets a lesson of life to get stuck in an elevator with a single servant. Through the Internet, a computer lover enters into a blind date, the stranger might be too known. Five elders decide to kill boredom and to get excited about planning to rob a bank.
Javier Colinas, Jorge Ramírez Suárez, Sergio Tovar Velarde, Marco Polo Constandse
Director
Luis Arrieta
Armando
Luis Ernesto Franco
Gilberto
Paola Nuñez
Lucrecia
Tiaré Scanda
Alma
Eugenio Bartilotti
Agustín
Hector Kotsifakis
Raúl
Maya Zapata
Graciela
Ana Serradilla
Sofia
Joaquín Cordero
Don Luis
Beatriz Aguirre
Anita
Isela Vega
Rosario
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.