An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

A short, hand-tinted promotional film made by the D'Oyly Carte Opera company to show off the new wardrobe and set dressing for the 1926 production of The Mikado. About six scenes from The Mikado are shown, then designer Charles Rickets steps onto the stage with a final look at the costumes and the film ends. The players in the production are legendary Savoyards, well-known from recordings of the period, but this is the only time a movie camera caught them in their roles, though sadly minus the singing. About four nitrate prints of this film are known to exist; two of which are at the BFI in London.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Dracula evolved from a person to a monster and then from a monster to a person.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!