'The Super Mario Bros. Movie' Comes to the Big Screen
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
The Mexican Spitfire's Baby (1941)
An advertising executive and his temperamental wife adopt a war orphan who turns out to be a beautiful woman.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An advertising executive and his temperamental wife adopt a war orphan who turns out to be a beautiful woman.
Rating:NR
Genre:Comedy
Written By:Jerome Cady, Charles E. Roberts
In Theaters:11/28/1941
Box Office:
Runtime:69 minutes
Studio:RKO Radio Pictures
Cast
Leslie Goodwins
Director
Lupe Vélez
Carmelita Lindsay
Leon Errol
Matt Lindsay / Lord Basil Epping
Charles 'Buddy' Rogers
Dennis Lindsay
Zasu Pitts
Emily Pepper
Elisabeth Risdon
Aunt Della
Fritz Feld
Pierre Gaston de la Blanc
Marion Martin
Fifi
Lloyd Corrigan
Chumley
Lydia Bilbrook
Lady Ada Epping
Vinton Hayworth
Hotel Clerk
Charles Bates
Little Boy
Articles You May Like
Evil in the Home of an Influencer
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
Chupa: A Movie Based on the Mythical Creature of the Same Name
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
Creepy Concept, Lackluster Story: A Movie Review of “Come Play”
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Fire Island, Love, and Intimacy | Incluvie Movie Highlights Podcast
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.