Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

Conductor Joana Mallwitz makes her Met debut leading an extraordinary cast in Mozart’s comic masterpiece. Bass-baritone Michael Sumuel stars as the clever valet Figaro, opposite soprano Olga Kulchynska as his betrothed, the wily maid Susanna. Baritone Joshua Hopkins is the skirt-chasing Count, with soprano Federica Lombardi as his anguished wife and mezzo-soprano Marianne Crebassa as the adolescent page Cherubino. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.